Born in St. Louis, MO, 1956

                        Currently resides in Los Angeles, CA




Yale University, MFA., Photography 1982

 Pomona College, BA  1979


Solo Exhibitions


Vector Portraits, Angles Gallery, Los Angeles, CA, 2002

Prop Portraits, Society for Contemporary Photography, Kansas City, MO, 2001

Prop Portraits, Julie Saul Gallery, New York, NY, 2000

                        Envelopes, Robert Klein, Boston, MA, 1998

Fifteen Year Survey, Julie Saul Gallery, New York, NY, 1998

Envelopes, Jackson Fine Art, Atlanta, GA, 1998

Portraits--Business Cards, Julie Saul Gallery, New York, NY, 1996

Envelopes, Angles Gallery, Santa Monica, CA, 1995

Envelopes, Julie Saul Gallery, New York, NY, 1995-94

Bonnettstown, California Center for the Arts, Escondido, CA 1993

Envelopes, Fraenkel Gallery, San Francisco, CA, 1993

Vector Portraits, Lieberman & Saul Gallery, New York, NY, 1992

Vector Portraits, Department of Motor Vechicle Buildings, Los Angeles, CA, 1992-91

Bonnettstown, Glen/Dash Gallery, Los Angeles, CA , 1991

Bonnettstown, Blue Sky Gallery, Portland, OR, 1990

Bonnettstown, Chenango Council of the Arts, Norwich, CT, 1990

Bonnettstown, Roger Ramsey Gallery, Chicago, IL, 1990

Bonnettstown, Greenberg Gallery, St. Louis, MO, 1986

Bonnettstown, Lieberman & Saul Gallery, New York, NY, 1986


Group Exhibitions


Poul Kjaerholm and Selected Art Works, Sean Kelly Gallery, NYC, NY, 2004

Surrounding Interiors: Views Inside the Car, Davis Museum and Cultural Center, Wellesley, MA, 2002

Ich Bin Mein Auto: Die Maschinalen Ebenbilder der Menschen, Statlich   Kunsthalle, Baden-Baden, 2002

Text/Textile: Words and Weaving in Contemporary Art, Deutsche Bank Lobby Gallery, West 52nd St., NYC, NY, 2002

Sand/Pavement: Beach Photographs/Car Culture, Nassau Community College, Firehouse Art Gallery, Garden City, NY, 2001

Reconsidering the Renaissance, Bridgewater/Lustberg & Blumenfeld, New York, NY, 2001

Avant-Premiere 6, Galerie Claude Samuel, Paris, FR, 2001

Show Me the Money -  the Dollar as Art, Trust for Museum Exhibitions, 2001

Photography Now: An International Survey of Contemporary Photography, The Contemporary Arts Center, New Orleans, LA 2000

Rearview Mirror: Automobile Images and American Identities, California Museum of Photography, University of California. Riverside, 2000.

SoCal Car Culture, The Irvine Fine Arts Center, Irvine, CA 2000

Breathless! - Photography and Time, The Canon Photography Gallery at the V&A, London, UK, 2000

MoneyMaking: the Fine Art of Currency at the Millenium, Federal Reserve, Washington, D.C., 2000

Summer Reading, Yancey Richardson Gallery, New York, NY, 1999

Duration and Whenever, Angles Gallery, Santa Monica, CA, 1999

A Survey of Interior Imaging from X-ray to MRI, Julie Saul Gallery. 1999.

Interiors, Champion International Corporation, Stamford, CT 1998

A Thin Line, Bard College, Annadale-on-Hudson, NY, 1998

Figure and Landscape, Montgomery Glasoe Fine Art, Minneapolis, MN, 1997

Recent Acquisitions, San Francisco Museum of Modern Art, San Francisco, CA, 1996

Photographics, Cleveland Center for Contemporary Art, Cleveland, OH, 1996

Portraits, 1991-1996, Julie Saul Gallery, New York, NY, 1996

Verisimilitude and the Utility of Doubt, White Columns, NYC, NY 1995.

Blind Spot Photography: The First Four Years, Paolo Baldacci Gallery, NYC, NY 1996

P.L.A.N.: Photography Los Angeles Now, LA County Museum of Art, Los Angeles, CA, 1995

The Joy of Painting, HERE, NYC, NY, 1995

Recent Acquisitions, LA County Museum, Los Angeles, CA, 1995

Megan Fox Gallery, Santa Fe, NM, 1995

Champion International Corporation, Stamford, CT, 1994

Fraenkel Gallery, San Francisco, CA, 1995-94

Serial/Images, Angles Gallery, Santa Monica, CA, 1994

Lousy Fear, Randolph Street Gallery, Chicago, IL 1994

Commodity Image, International Center of Photography Midtown, New York, NY, 1993

Vector Portraits, Julie Saul Gallery, New York, NY, 1993

Metropolitan Museum of Art, New York, NY, 1991

MetLife Gallery, New York, NY, 1991

Off the Beaten Track, Security Pacific Bank, Cost Mesa, CA, 1991

Didactics--Aspects of Photography, Victoria & Albert Museum, London, UK, 1990

Gardner Arts Center, University of Sussex, UK, 1990

Recent Acquisitions, Art Institute of Chicago, Chicago, IL, 1989

Art at Pomona College, Claremont, CA, 1988

Rice University Media Center, Austin, TX, 1986

The Parrish Museum, Southampton, NY, 1986

Lieberman & Saul Gallery, New York, NY, 1985

Daniel Wolf Gallery, New York, NY, 1985

Photographs of Flowers from the Collection of Sam Wagstaff,  Detroit Museum of Art, Detroit, MI, 1985

The Photographers' Gallery, London, UK, 1985

"Color Photographs - Recent Acquisitions, Museum Of Modern Art, New York, NY, 1984

Olympus Camera Gallery, London, UK, 1984





Publications and Reviews


Kennedy, Marla Hamburg, Looking at Los Angeles, New York: Metropolis Books, 2005.

Siegel, Katy and Mattick, Paul, Money, London: Thames and Hudson, 2004.

“The Metropolitan Museum of Art – The Collection: Photographs", www.metmuseum.org  June 2003. 

Bush, Andrew Nest, Final nest: Bonnettstwown Hall, Summer, 2003.

Rearview Mirror: Automobile Images and American Identities, (Editor, Kevin Jon Boyle) California Museum of Photography, UC Riverside/CMP, 2000.

Loke, Margaret, "Paying Homage to Books (Those With Covers)", The New York Times, August 1999.

Saltz, Jerry, “Andrew Bush” , Time Out, March 26, 1998.

Voice Choices, March 10, 1998.

Walcott, Ellison Austen, “Andrew Bush, A Fifteen Year Survey”, March 15, 1998.

Loke, Margarett, “Andrew Bush”, The New York Times, March 27, 1998.

Blind Spot, Issue 7, 1996.

Schwendener, Martha, "Andrew Bush at Julie Saul", Art in America, December, 1996.

Hagen, Charles, “Andrew Bush”, The New York Times, December 9, 1994. 

Grunstein, Raoul, “Ajovaylien Asukkaat”, Image,  November 1995.

“Recent Acquisitions - A Selection: 1993-1994", The Metropolitan Museum of Art Bulletin, Fall   1994.

Hagen, Charles, “The Camera as a Weapon to Assault Modern Ills” , The New York Times, June 11,1993.

Bush, Andrew, Driving Through the Museum, Not To the Museum", The Los Angeles Times, May 10, 1993.

“Days of Getting, Spending and Photography, Too”, The New York Times, May 30, 1993.

Hagen, Charles, “People in Their Cars, Driving Along”, The New York Times, March 27,1992.

“Man at his Best” , Esquire, July 1992

Aletti, Vince, “Photo”, The Village Voice, April 14,1992.

“Best Photos in the Metropolitan”, Marie Claire (Japan), September 1992.

“Personalien”, Der Spiegel (Germany), April 06, 1992.

Front and Back Covers, Publicsfear, Vol. 1, No. 1, 1992.

Nilson, Libet, "Art Notebook", Los Angeles Times, March 31,1991.

Aletti, Vince, “Summer Selection - Metropolitan Museum” , The Village Voice, July 16,1991,   Ill.

Russell, John, “There’s Something New Under the Sun at the Met”, The New York Times,July 14, 1991.

Lorenzelli, Tiziana, “Los Angeles: Vita Sulle Freeways”, Domus Magazine, October1991.

"Reviews: Books", Photo District News, October,1989.

"Books", Time Magazine, December 18th, 1989.

Publishers Weekly, March 3, 1989.

Malcolm, Janet, “Books, Pink Roses” , The New Yorker, June 26, 1989.

Bush, Andrew, Bonnettstown: A House in Ireland, New York: Abrams,1989.

Grundberg, Andy, “Critic’s Choice,” The New York Times, May 25, 1986

LaRouche, Robert, “The Looks, Life of an Irish Manor” , St. Louis Post - Dispatch, June30, 1986.

Grainick, Herbert, “Irish Home’s Ambience Captured in Photos” ,St. Louis Globe - Democrat, July 12-13,1986.

O’Reilly,The Village Voice“Review”, June 10, 1986.


Public Collections


Metropolitan Museum of Art, New York, NY

Victoria & Albert Museum, London, UK

Bibliotheque Nationale, Paris, FR

Los Angeles County Museum of Art, Los Angeles, CA

Art Institute of Chicago, Chicago, IL

St. Louis Art Museum, St. Louis, MO

Yale University Art Gallery, New Haven, CT

Museum of Modern Art, New York, NY

International Center of Photography, New York, NY

George Eastman House, Rochester, NY

San Francisco Museum of Modern Art, San Francisco, CA

Museum of Fine Arts, Houston, TX